{"id":160159,"date":"2021-03-23T12:06:02","date_gmt":"2021-03-23T19:06:02","guid":{"rendered":"https:\/\/www.dailyactor.com\/?p=160159"},"modified":"2021-03-23T12:07:30","modified_gmt":"2021-03-23T19:07:30","slug":"what-to-expect-online-acting-class","status":"publish","type":"post","link":"https:\/\/www.dailyactor.com\/acting-advice-columns\/what-to-expect-online-acting-class\/","title":{"rendered":"What To Expect From an Online Acting Class?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-160161\" src=\"https:\/\/www.dailyactor.com\/wp-content\/uploads\/2021\/03\/online-acting-classes.jpg\" alt=\"\" width=\"600\" height=\"400\" \/><\/p>\n<p><strong>What exactly can you or should you expect from a good online acting class?<\/strong> Let me start by saying that I\u2019ve been having this conversation with a number of acting teachers that I know, not to mention more than a few acting students.<\/p>\n<p>We\u2019ve been talking about this for a while for the obvious reason that <strong>online acting classes are not exactly the standard, though they have become the norm<\/strong> in the last year. As with anything, there are pluses and minuses to working remotely, so let\u2019s start with those.<\/p>\n<p><strong>On the \u201cminus side\u201d: <\/strong><\/p>\n<ul>\n<li>The live, <strong>face-to-face<\/strong> interaction has been <strong>somewhat diminished.<\/strong><\/li>\n<li>The free exchange of <u>direct personal energy<\/u> is also affected.<\/li>\n<li>The verbal\/emotional <em>repetition of Meisner <\/em>work is <em>trickier.<\/em><\/li>\n<\/ul>\n<p><strong>On the \u201cplus side\u201d:<\/strong><\/p>\n<ul>\n<li>The <strong>cost<\/strong> of remote classes are <strong><em>somewhat less.<\/em><\/strong><\/li>\n<li>Remote classes <u>don\u2019t require student actors moving<\/u> anywhere.<\/li>\n<li>If you don\u2019t count the live interaction, the <strong><em>training remains the same<\/em><\/strong><em>. <\/em><\/li>\n<\/ul>\n<p>Now let\u2019s unpack those just a little so that we\u2019re all on the same page. Yes, face time is a key component in the business of acting, whether you\u2019re onstage or on camera, there\u2019s no denying that. Doesn\u2019t matter if you\u2019re Method or Meisner, the human connection plays a big role but<strong> so does technique<\/strong>. Even when you\u2019re onstage and dealing with actors and a live audience, <strong>there\u2019s always a part of you that\u2019s removed, <\/strong>that\u2019s holding for laughs, that\u2019s mindful of cues and the unexpected. <strong>An actor\u2019s technique encompasses many things<\/strong> and not all of those things are dependent on the human connection.<\/p>\n<p>Sure, I think working remotely presents unique challenges for students working with Meisner technique but those can be overcome as well. Any actor that\u2019s done enough camera work knows that <strong>acting with technology requires a deeper level of concentration<\/strong>, both to overcome the camera\u2019s intrusion but also to make complex emotions read on a smaller, interior scale. In that respect, <u>working remotely is great training for that particular task,<\/u> which is the drawing in of your audience that happens to be a lens and not another human being.<\/p>\n<p>There\u2019s been a lot written on the differences between stage acting and film acting but for me it comes to down to one critical thing. <strong>In moments of crisis, the stage actor tries to reveal things and in similar moments the film actor tries to hide those very same things. <\/strong>In either case, how successful those actors are in their revealing\/hiding moments depends on how well they deliver them to whoever is watching. <em>Delivering those moments is one the actors primarily jobs and it doesn\u2019t matter if I\u2019m &#8220;reaching out or drawing in.&#8221;<\/em> <u>What matters is my ability to do that, which is, in fact, <strong>a technical thing.<\/strong> <\/u><\/p>\n<p>So I think that <u>studying acting remotely<\/u> may complicate the general process but in certain respects <strong>it also simplifies <\/strong>some of <u>the actor\u2019s tasks<\/u>. On the flip side, remote learning can also make some of the students overall problems a bit easier. Every year, loads of young kids <u>come to the Big Apple<\/u> with a small wad of cash in their pocket and the same dream. However,<strong> before they<\/strong> can really <strong>get started<\/strong>, they have to deal with finding \u201caffordable\u201d housing, survival jobs and creating a personal network in order to function. All for the sake of getting into an acting class and (maybe) getting an agent.<\/p>\n<p>An <u>online acting class<\/u> takes away a lot that <u>geographic pain by making it largely unnecessary.<\/u> Instead of going through all that, what if you just got into a class and found out if acting is really for you or just a passing fancy? Or, <em>what if you signed up for a remote class, found out that acting really is your forte and by the time you arrived in the Big Apple, you already had a network of friends from class, a place to stay and leads on that elusive survival job?<\/em> And you weren\u2019t paying an arm and a leg for those classes? What about that?<\/p>\n<p>So what about the \u201ctraining in a remote class versus a live one\u201d question? What exactly can you expect in an online acting class and what should you expect? Well, the training itself shouldn\u2019t be all that different, other than the fact that you\u2019re working remotely. As we\u2019ve already discussed, <u>some of that will be to your advantage and some a bit less so.<\/u> But the training itself should not be diminished in any significant way and <strong>nothing that would normally be in the program should be left out.<\/strong> Now I can\u2019t speak for everybody in this, I can only speak for myself but like I said, I do communicate with other acting teachers, so I have a decent sense of how its working.<\/p>\n<p>You can and should expect <strong>the training to be clearly laid out and well organized.<\/strong> All acting teachers be able to articulate how their \u201csystem\u201d works and how they like to teach it. <em>All systems<\/em> are composes of <u>exercises and scene work<\/u> that those exercises inform, so that structure should always be there from the get-go. You can and should expect that the teacher knows your name, what exercises you\u2019re working on and gives you personal attention in that regard. You can and should always be able to ask questions of your acting teacher about any part of the work and they should always have answers for you that are clear.<\/p>\n<p>In my class you should expect to spend time working on <strong>relaxation technique, vocal technique, a series of sensory exercises, scene work, as well as improv exercises to keep you loose. <\/strong>Now the work we do in our class is Method work and it\u2019s largely based on what Strasberg designed, there\u2019s also some elements of Stella Adler\u2019s work too. I like to describe our work as a fusion of <strong>\u201cbuilding characters from without and from within\u201d<\/strong> and while <em>working remotely did make that tricky in the beginning<\/em>, <u>it really hasn\u2019t changed our work all that much<\/u> in the long run.<\/p>\n<p>Of course, things will change again. We\u2019ll get vaccinated sooner or later and <strong>many\/most of us will get back to being in live class, just like \u201cthe old days\u201d.<\/strong> I do think that some of us will learn from this experience and fold it into our teaching philosophy, as well as our practice. The <strong>smart acting teachers will be better off in the long run and I think the students will too. <\/strong>Technology is never a bad thing, it\u2019s just a matter of how intelligently we use it and <em>not let it use us. <\/em><\/p>\n<p><strong><em>Glenn English is a writer\/actor\/director based in New York City. He holds BA\/MA degrees from Hunter College and is a recipient of the John Golden Award. Glenn has been developing and teaching his\u00a012 Step Method System of Acting\u00a0since 2005. His book on Method acting, Act Now, will be available on Amazon later in 2021. For more information: <\/em><\/strong><a href=\"http:\/\/www.12stepmethod.com\">www.12stepmethod.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Online acting classes are not exactly standard, but they&#8217;ve become the norm in the last year. As with anything, there are pluses and minuses. <\/p>\n","protected":false},"author":46,"featured_media":160161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2204],"tags":[6428,12105],"class_list":["post-160159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acting-advice-columns","tag-acting-classes","tag-featured"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.1 (Yoast SEO v24.1) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>What To Expect From an Online Acting Class? - Daily Actor: Monologues, Acting Tips, Interviews, Resources<\/title>\n<meta name=\"description\" content=\"Online acting classes are not exactly standard, but they&#039;ve become the norm in the last year. 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